About The Makanda Project

After Makanda Ken McIntyre passed away unexpectedly in 2001, it was discovered that, in addition to the approximately 75 original compositions that appear on his albums, he had written around 350 more that had not been recorded or, in most cases, performed in public.  Makanda was a brilliant composer.  His compositions are marked by a distinctive rhythmic and lyrical quality, along with how effectively he can do the unexpected.  The unrecorded compositions promised to be a significant body of work.

The Makanda Project was formed in 2005 so that this music could be explored by musicians and heard by the public.  Pianist and leader John Kordalewski, who studied and performed with Makanda has, as of 2017, arranged almost 50 of the compositions for a large ensemble.  With new arrangements, and without the opportunity to hear Makanda’s performances of these pieces, the Makanda Project’s approach differs from that of the “ghost bands” that sometimes form to honor the legacy of a great musician.  Whereas those bands essentially revisit the original, with the same repertoire and instrumentation, the Makanda Project is extending Dr. McIntyre’s work in new ways, and has developed its own identity with his compositions as a vehicle.

(rhythm section) John Kordalewski, John Lockwood, Yoron Israel (back row) Bill Lowe, Ku-umba Frank Lacy, Eddie Allen, Jerry Sabatini, Diane Richardson (saxophones) Charlie Kohlhase, Jason Robinson, Sean Berry, Joe Ford, Kurtis Rivers

The normal size of the group is 13 musicians: 5 saxophones, 2 trumpets, 3 trombones, piano, bass, and drums.  The exact personnel tends to vary slightly from performance to performance, but the musicians are almost always from among the following:

Saxophones: Kurtis Rivers, Joe Ford, Oliver Lake (alto); Arni Cheatham (alto and tenor); Sean Berry, Lance Bryant, Jason Robinson (tenor); Charlie Kohlhase (baritone).

Brass: Jerry Sabatini, Eddie Allen, Phil Grenadier (trumpet); Ku-umba Frank Lacy (trombone and vocals); Alfred Patterson, Sarah Politz, Robert Stringer, Craig Harris (trombone); Bill Lowe (bass trombone and tuba).

Rhythm section: John Kordalewski (piano); John Lockwood, Wes Brown (bass); Yoron Israel, Warren Smith.

On some occasions the group also includes dancer Mickey Davidson, or a group of dancers led and choreographed by Ms. Davidson. On other occasions the group features a guest soloist such as Oliver Lake, Craig Harris, Ricky Ford, or Billy Hart. The group’s repertoire also includes some works by composers such as saxophonist Bill Barron and South African pianist Ndikho Xaba.

The Makanda Project can be heard on a regular basis at the Dudley Branch of the Boston Public Library and at Roxbury Heritage Park, in Boston’s Roxbury neighborhood.  These free concerts have a distinct community flavor and reflect the value the group places on making the music accessible on a community level.  Often these events include vehicles for community participation such as live painting, facilitated by Massachusetts College of Art and Design’s sparc! the ArtMobile (Ekua Holmes, director), or performance by community youth groups.

The band has also performed throughout the Eastern United States from Washington DC to Maine.  It intends to tour more widely in the future, hoping to further expand appreciation of Makanda Ken McIntyre’s significance as a jazz composer.

Most of the band members are also educators, and the group has presented a variety of educational programs from jazz listening seminars, to improvisation workshops, to panel discussions.

The Makanda Project has been profiled in the Boston Globe:

“Musicians and Dancers Honor Makanda Ken McIntyre: A Tribute to an Unsung Jazz Master,” by James Sullivan

“Bringing a Local Jazz Master Back Home: The Makanda Project Plays Black Heritage Sites,” by Siddhartha Mitter

And in the Bay State Banner:

“Jazzing up Friday Night” by Celina Colby

“New Initiative Fuses Jazz and Art in Roxbury Park,” by Jacquinn Williams

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